Posts Tagged Salina Christmas

Protests? Romance? You can’t do without digital engagement

Friday, November 25th, 2011 | Author: Sojournposse Editor

By Salina Christmas

Manuel Castells spoke before a full house at the London School of Economic (LSE)’s Sheikh Zayed Lecture Theatre yesterday to tell us that protests, politics and even romantic correspondence can’t do without the internet nowadays. While he did, I deployed our mobile newsroom with nothing more than wifi, open source apps and mobile devices. Methodology: whatever won’t kill the battery.

Not a great shot of Castells, but I am experimenting with a mobile / open source concept of mobile newsroom using mobile devices and open source digital applications. It works. Photo: © Salina Christmas

I am not going to argue with an eminent sociologist, especially if he is the fifth most-cited social science scholar, according to Wikipedia. But after listening to Castells’s talk, “Social movement in the age of the internet” at the LSE last night, I really wonder if I could have a relationship that is totally off the internet. Away from Facebook, Twitter and all. Now that would be a challenge I shall rise up to.

His talk also gave Sojournposse the opportunity to play around with Qik, Audioboo and the various mobile devices and open source software applications that we deployed on our iPhone, iPad and Mac laptop, just to see if the mobile newsroom concept that we have been harping on for ages work.

The photo, rather grainy, was snapped from a distance using an iPhone4 – no guys, not the kind of work I’d submit to a photo competition (yes, we have participated in quite a few), but the point is, we used a phone, not a camera, and I edited it using GIMP, not Fireworks. I have to say no photo editing software can beat Fireworks in terms of web optimisation of photos. But yup, I have purged the new Mac off the usual Macromedia and Windows applications.

Doing the do with Audioboo

Since Qik would definitely kill off the iPhone battery, we opted for Audioboo instead. I have the old version of iPad and wasn’t sure if it could record sound very well. It could. It’s not BBC Radio 4, anyway, and the intention is to apply the digital anthropology principle of ‘bricolage’. So we rode on the LSE wifi, and away we went with the broadcast. Have a listen to the clips, each lasting four minutes.

The embed worked fine, but as usual, you have to change the dimensions a bit with basic coding. Nothing spectacular. After four months of academic writing, it felt great to code again. The mobile newsroom is good to go.

Manuel Castells: "Power construction" (mp3)

Manuel Castells: Fear & indignation (mp3)

Manuel Castells: Occupy movement & Internet “fight” (mp3)

Manuel Castells: A cross-generational visual movement (mp3)

Manuel Castells: Forging relationship on the Internet (mp3)

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Gaddafi: Now that’s entertainment

Friday, October 21st, 2011 | Author: Sojournposse Editor

By Salina Christmas

So, the Saudis are uncivilised for the beheadings in the car park? Look at our newspapers. And the BBC.

Last week, after the New Media Industrial Council meeting, Phil Mac Giolla Bhain and I got talking at the local pub over the Celtic and Rangers football rivalry which he has been reporting on for several years. I find the notion of games and ethnic or national identity being tied together very intriguing.

Mac Giolla Bhan told me a fascinating story about football, or soccer as the Yanks call it. Before football became big in the 19th Century, public hanging was, for centuries, a popular form of public entertainment. “The gallow got higher and higher because of that,” he said. “You’d get pie sellers, families, at these events.” He told me a bit about the Tyburn jig, the 15-year lull between the time when hanging was finally made private and when soccer emerged as the next popular form of public entertainment, and the link between the Industrial Revolution and the popularity of football among the rural migrants in booming industrial towns. And of course, the history of the Celtic and Rangers football clubs.

Pie sellers, fruit sellers, family outings. No, it's not the Chelsea home match. That's Hogarth witnessing a public hanging in the 18th Century.

Play as power

Out of all the theories we learned in the Digital Anthropology module, Anthropology of Games and Simulation, I found Sutton-Smith’s and Geertz’s theories on play (1959; 1997) the most fascinating. In his study of all the 22 kissing games in Ohio (1955), Sutton-Smith concludes that the play of ‘chance’, which somehow leads to the ambiguous, if not flirtatious, nature of play serves to ‘buffer’ the players from risks such as rejection. That is, if you lose a seat in that musical chair game, you won’t feel so bad. You don’t get to kiss the girl because you lose a seat, not because she says no. The ambiguity acts like a hedge, in a way, and is meant to make the play-pretend fun.

But he also brings our attention to the notion of “play as power” (1997), which, like “fate, community identity, and frivolity… predates modern times and advocate collectively held community values rather than individual experiences”. When play reaches this point, it is not as fun anymore. “Sports, athletics and contests” are such forms of play. “Football”, Mac Giolla Bhan said during our drinks, “is gladiatorial in a way”. It merely replaced the entertainment that went before it: the public hanging. I forgot to recommend Geertz’s essay on the Balinese cockfighting to my colleague, but Mac Giolla Bhan, if you’re reading this, go to this link.

It’s snuff, but don’t we love it

Adams won a Pullitzer prize for this, so it must be good. Right?

The media coverage of Muammar Gaddafi reminds me of public hanging and football. War is the most extreme form of game. There is nothing playful about it anymore, and I would argue, not even within the context of that leisure activity called video games (“Wikileaks: I suppose it’s bloody cinema. But so is satellite imagery”, 9 May 2010). The photos and videos of Gaddafi’s last moments were broadcast on telly and online as public entertainment.

Dr Ernesto Priego, who spoke on The Comic Grids at our London Design Festival event, tweeted this to us from Mexico: “Journos have defended the right to keep showing the video but there is violence inflicted upon us watching”. He is right. “The fact it’s a mobile phone video also emphasises the banality of brutal violence; the event as document.”

My problem with the Gaddafi snuff mobile phone footage is that there is no aesthetics, play-pretend or make belief that will cushion the viewer from the traumatising shock of witnessing the content. At times, photojournalism is no better than a happy-slapping mobile footage, but the photojournalists use techniques such as depth of field, framing and colour-grading for a reason. Of course, when it gets to Eddie Adams level, it’s a different story altogether. There is no catharsis derived from watching the Gaddafi snuff video because there is no distancing device. Trauma can be passed on via storytelling, verbally, visually and auditorily. We journos call it “second-hand trauma”. The agitation brought about from watching the Gaddafi clip is not resolved because there is no catharsis.

We moved so far away from public hanging only to return to this in the digital age. The media, and of course, the photo editors are partly to be blamed. But we’ve been enjoying spectacles like this since time began. So, the Saudis are uncivilised for the beheadings in the car park? Civilised folks, look at ourselves.

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Design is direct action: our message at Rebellious Media Conference

Sunday, October 16th, 2011 | Author: Sojournposse Editor

By Salina Christmas

Last weekend, I got to speak on anthropology and advocacy at the Rebellious Media Conference held at the Institute of Education and Friends House on 8 and 9 October 2011. Given that the event was headlined by the likes of Prof Noam Chomsky, John Pilger and Michael Albert of ZNet, I was nervous, but I also felt very honoured.

My front row snap of Chomsky (left) and his former student Michael Albert of ZNet (middle). Some tweeters at the event called him a grandpa. Well, kids, "grandpa"'s linguistical theory is recommended reading for computer scientists who do programming. And he turned the Linguistics world upside down in the 50s. Top that, kids. Photo © Salina Christmas

The stream I was asked to contribute to was “Out of the Ivory Tower: Making Academic Research Relevant to Journalists and Activists”. Prof Richard Keeble of Lincoln University School of Journalism asked me to present alongside Prof Cynthia Cockburn, Visiting Professor in the Department of Sociology at City University and Prof Phil Hammond, Professor of Media & Communications and head of the Centre for Media & Culture Research at London South Bank University. The session was moderated by Marc Wadsworth, a famous journalist, activist and journalism lecturer.

They were all ‘professors’. I was the only MSc small fish there representing Sojournposse Purpose. It was scary. I felt like bailing out a few days before, but I could not. Fear aside, I had something to say:

Design and R&D can be direct action

The audience listening to our presentations. I criticised anthropology, of course, but only because I care about the discipline. Photo © Salina Christmas

I want to advocate design as direct action, as exemplified via our London Design Festival events as well as through the anthropological research I am doing on the sociality around digital applications.

Prof Cockburn pointed out something profound during our session: the best of theories tend to come when you are in the field, while doing research. Academics must go out there and do fieldwork if they don’t want to get cooped up in that self-referencing Ivory Tower. I agree. Creatives and technologists think through tinkering or making. The very action of crafting an object or coding a digital application generates ideas.

I repeated Peter Dormer’s ideas (1997) in my talk that we should not have this divorce between “having ideas” and “making things”. I believe Digital Anthropology can be the academic discipline that allows these two concepts to come together. It came from a branch of anthropology, Material Culture, which runs on the principle that “objects do culture”. What it tends to attract, however, are not just those who like the idea of “having ideas” about digital applications, but also those who like to make, appropriate and tinker with digital applications. Those who enjoy “making things”, who also come from a more mutualist background. It would be interesting to see how that concept – mutualism – works within the conventional academic structure of anthropology.

Of course, I was not 100% generous to anthropology in my talk. I made a few criticisms: its passivity during the London riots, the risk-averse behaviour of the academics and the researchers’ tendency to hide behind theories, which isn’t “restraint” but really is “deception” (Orlans, 1975).

You’d have to watch the video online or buy the RMC DVD if you really want to hear the whole thing.

Opportunity for activists, marketers and advertising people

US folk band Woody Says performed at Netroots UK. Probably one of the acts I remembered most at the event. Nothing beats music to get the message across. Photo: © Salina Christmas

If you are a marketer or an ad creative, you should check out events such as RMC and Netroots UK (“Netroots UK: US and UK activists swap knowledge, wisdom and digital tactics”, Sojournposse, 9 January 2011). The digital activists are good at mobilising and organising using Twitter, Audioboo and such, but the trade unionists, with an extensive experience in ‘organising’ (this is the term you hear a lot among these people, apart from ‘outreach’) people on via chapel meetings, events, demos, strikes and so on, are very good at carrying out the ground works.

Ok, I know trade unionists can be off-putting to corporations and bean counters. Their opposition to ‘open source platforms’ in the name of protectionism at times annoy me, I confess, but marketers, just go there with no preconceptions and observe how they work. They get things done and they follow the brief well. And they’re good at converting people to their cause.

I have always believed that marketers and activists have one thing in common: advocacy. They both use research data to inform their actions and strategies. And they’re both into ‘communities’. I love both sides. I love making money, I love to promote a good concept and I would like to make money on the back of a good cause. Given that the former is what I use my creative and digital skills for to earn a living, and the latter is what motivates me to be creative and acquire digital skills, I would like to carve a career where I can use my research to help create a better social product, promote it and then make profits out of it.

Any commercially minded do-gooders out there who agree with me? Salina[at]sojournposse[dot]com.

This article was first published at salinachristmas.com. Check out Sojournposse Purpose.

Inspiration for my talk: Robert Gumpert (“My photography is direct action”) and Sam Syed of Bonnier Mag+ (“If you see something that others cannot see, you have a responsibility to share it”). Thank you for the advice.

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I am a Mac, too

Thursday, October 6th, 2011 | Author: Sojournposse Editor

By Salina Christmas

We ate the apple, and saw the world in a different light.

I stayed up late till after midnight to compose my presentation for the Rebellious Media Conference (RMC). My talk, to be presented at an event at the Institute of Education this Saturday, is to be on anthropology and advocacy. I am excited but at the same time nervous to be asked to present alongside professors of media studies, at an event headlined by Professor Noam Chomsky.

I did Linguistics for my first degree. It was Linguistics that got me into codes. So this is a great honour.

After 12.30 pm this morning, I had enough. I went to bed. And then, around 1 am, the mobile phone bleeped. A friend texted. Steve Jobs is no longer with us.

I didn’t read the text, but found out via the Facebook status of Marcus Gilroy-Ware, the founder of Not On The Wires, on my iPhone. “Steve Jobs is dead!” I cried, ran to the Creative Director and hugged her. We both wept.

Perhaps his passing doesn’t mean as much to others. I have always seen him as the Dick Whittington of Silicon Valley. Adopted, self taught, forever being the outsider, an auteur more so than an engineer. I wrote a rudimentary app last Christmas, a present I have yet complete for my twin sister, and I kept having to start each stack of codes with the root class ‘NSObject’. NextStep. NeXT was the company that he founded after he got kicked out from Apple by the very man he hired to be the top bean counter. He got back into Apple via the former’s purchase of NeXT. NS or NextStep is the operating system. I had to begin every line of string in a stack starting with ‘NS’. Nice one, Jobs.

My talk at the RMC is to be about anthropology as ‘direct action’. If anthropologists are trained to be ‘theoreticians’, as one anthropologist pointed out to me, if ‘sitting on the fence’ is our methodological stance, then where is the action? Wiping my tears in the kitchen as Zarina, our Creative Director, recounted her experience using a Mac and nothing else since the age of 19, it dawned on me that to Steve Jobs, designing was direct action. Through the objects he designed – or the projects he oversaw  – he modified our behaviour. He changed the way we ‘enjoy’. You can say he intervened, but that’s the direct action.

Now I am off to mourn, and celebrate, a great designer by innovating. My direct action in anthropology begins with the digital. This next project is dedicated to Jobs.

Read Zarina Holmes’s tribute: “I am a Mac”.


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Meet The Comics Grid, an online journal of comics scholarship

Saturday, September 24th, 2011 | Author: Sojournposse Editor

By Salina Christmas

REPORT: “Whatever is to become of books?” at London Design Festival 2011. The video presentation by Dr Ernesto Priego of the Comics Grid at our event, “Whatever is to become of books?”, last week was certainly unconventional. It took a while for us to realise that many of the effects used in this video took their references from cartoons. But behind this unconventional presentation lies an even more non-conformist concept of an open access journal based on, you guessed it, comic books.

It is a very clever idea. Those who follow the development of open source platforms for scholarly journals would have been familiar about the gripes by academics and researchers on expensive subscription fees and the one-sided relationship that academics have with journal publishers that necessitate them to publish their works for free for journals which their institutions then have to subscribe (The New York Times. “Internet ruffles pricey scholarly journals”. 18 September 2011).

The Comics Grid operates on a model that serves as a unique point of reference for an online, open access peer-reviewed journal. Comic books might seem like a very popular art form, but this concept is very much rooted in academia. The journal examines the comic books in a rigorous manner, with the contribution “reviewed and edited by those who are signed in the project”.

Dr Priego, who did his PhD in Information Studies at University College London, focusing on the media-specificity of comic books, webcomics, mobile comics apps and comic book culture, says that the Comics Grid initially started out as an invitation-only initiative. Later, the founders decided to release calls for ongoing submission from graduate students, scholars, artists, teachers, curators, librarians or any others involved in the study and practice of comics or other related forms of visual storytelling.

Submissions, original and media-specific, written for online reading with an educational or academic purpose, must be between 750 and 1200 words in length.

Dr Ernesto Priego presents the Comics Grid via video at "Whatever is to become of books?" at the Gustave Tuck Lecture Theatre, UCL, watched by moderator Kevin Biderman (MSc Digital Anthropology, 2012) and The Ballet Bag. Photo © Salina Christmas

Articles are released every Monday. To date, The Comics Grid has 4,550 visitors and 1,015 Twitter followers. Dr Priego is considering an online open access academic model where people can work together to review comic books no matter where they are, where they do not necessarily have to be at a university where they have to pay expensive subscription fees for journals.

For more information on The Comics Grid, go to www.comicsgrid.com and follow its tweets at @ComicsGrid. You can see the photos of the event at this Facebook link.

Reports: speakers’ presentations at “Whatever is to become of books”

“Five Minutes With”: Q&A’s with designers, authors and academics on the future of books

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