Edition 30

Edition 30

Sunday, September 12th, 2010 | Author: Sojournposse Editor
July/August 2010. Summer arrives bringing waves of victory and optimism. We venture outside our comfort zones to greet new faces, and fill new spaces with the perfume of our imagination. Hope you are inspired.
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Magia Bruta

Ruyman lends his otherworldly vision to inspire a poet. Water, gentle yet forceful, serves as a catalyst. » Read

It’s a hard knock life, for us

Jaime Denis captures unforgettable faces at an orphanage in Pattaya. » Read

A ‘xeito, Urban Flowers of Rastro

Biniam Ghezai discovers a gem in Rastro district of Madrid in this second series of home artifacts. » Read

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Orillas

Eduardo Negrin Torres observes the tides come and go in this second photo-poem on the shore. » Read

Stone Roses

Christmas & Holmes define “epic” and “romance” against Bloomsbury’s architectural backdrop. » Read

The saints smile down upon Spain

Zarina Holmes witnesses divine moments during the World Cup 2010 final. » Read

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Mumbai, the neighbourhood of the dhobi ghats

Stefano D’Amadio visits the world’s biggest open-air laundry. » Read

The Turf Shots

James Mason reports on Dominican Republic golf courses and makes full use of his mobile phone. » Read

Steven McRae and Roberta Marquez at The Crush Room

Zarina Holmes photographs Royal Ballet duo Steven McRae and Roberta Marquez for The Ballet Bag. » Read

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Steven McRae and Roberta Marquez at The Crush Room

Wednesday, July 21st, 2010 | Author: Sojournposse Editor

Photography and words by Zarina Holmes

The Royal Opera House, London. May 2010.

In May, I received a call from The Ballet Bag editors, Emilia Ferraz Spitz and Linda Uruchurtu, about another exciting photo shoot at The Royal Opera House. This time, it was to mark The Royal Ballet end of 2009/2010 season. The article the photography was intended for would also be discussing the new dance partnership between the principal dancers Roberta Marquez and Steven McRae.

The dancers gave a warm interview, and were very imaginative during the shoot. Dancers are fantastic to photograph because they utilise the space creatively.

McRae and Marquez were sensational to photograph together and individually. I wanted to show Roberta Marquez as a sophisticated beauty, and to capture Steven MacRae’s magnetic charm as his character leaps out to you.

As soon as I saw The Crush Room and the scattered red chairs, I thought of Emilia’s question about the possibility of McRae playing “The Mad Hatter” in the upcoming Alice In The Wonderland ballet.

When handed the bowler hat, McRae automatically improvised around Marquez. He stepped on a chair and smiled down at Marquez, who was giggling away in response. Marquez’s wonderful pink dress and McRae’s evening suit created a classy playfulness. It reminded me of the chemistry between Ginger Rogers and Fred Astaire.

Read the full interview “Roberta Marquez & Steven McRae: Dancing Cheek to Cheek” on The Ballet Bag.

Photos © Zarina Holmes.

Zarina Holmes’s previous performing artists photography projects:
When Romeo Met Juliet – Principal dancers Thiago Soares and Marianela Nuñez
Song and Dance – City Academy at London’s performance arts venues

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Orillas

Wednesday, July 21st, 2010 | Author: Sojournposse Editor

The Shores. Photography and words by Eduardo Negrin Torres

Spain. July 2010.

La arena, bendito palimpsesto, que ha dado todas las formas,
y hundido sus hechos…
La belleza culmina la fuerza de lo nuevo,
la destrucción, el beso.

Translation:

The sand, blessed palimpsest, which has all forms,
and sunk his deeds …
The beauty culminates the strength of the new,
destruction, the kiss.

Photos © Eduardo Negrin Torres.

Eduardo Negrin’s previous photo-poem project:
Cuando Las Orillas Se Confunden – When shores merge with each other

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The saints smile down upon Spain

Tuesday, July 20th, 2010 | Author: Sojournposse Editor

Photography and words by Zarina Holmes

City of London, United Kingdom. 11 July 2010.

The saints smiled down upon the supporters of Spain during the World Cup 2010 final. Earlier in the afternoon, David Salas told me: “We are watching the game at St. Paul’s tonight.” I went to watch the final with him and his friends.

Mustard was the auspicious venue chosen by the Spanish football supporters in London to witness their team’s triumph at the World Cup final. It is located opposite St. Paul Cathedral. We sat watching the match in the amphitheatre outside, which lent a ‘pseudo Roman’ experience. The first half of the match was a non-event. The sun started to slink away. It was then that I started to notice the faces lit by the massive wide screen.

As the game intensified during the extra time, so did the expressions on the fans’ faces. Many prayed that the divination of Paul – the Octopus – would come true. I was more entertained by their facial expression than by the onscreen action.

Finally, a goal was scored by Spain. After a split-second flicker of disbelief on the faces, the fans broke into a crescendo of screams, vuvuzela exclamation, hugs, beer showers and swearing. The crowd went into a frenzy, like a school of fish in the sea being interrupted by a shark. It was like watching a biblical pageant.

Ecstasy all around and gratitude to the heavens.

Photos © Zarina Holmes.

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Mumbai, the neighbourhood of the dhobi ghats

Tuesday, July 20th, 2010 | Author: Sojournposse Editor

Photography and words by Stefano D’Amadio

Mumbai, India. I had only one hour to take photos. Admission not allowed. I picked up fairly quickly that my presence bothered them and made them rigid. I expected, without wasting too much time, their complicity.

I would never have wanted to see my intrusion in the shots I took. The only way around this was to find a way to get close to them. Trousers off and handed over to be washed, with a spotless white Indian sheet hanging off my waist, as is custom…i started to take photographs.

When visiting India you come across these curious washermen on the banks of the river, outside their homes or on the street.

In particular, in the great metropolis of Mumbai we find the biggest open-air laundry in the world called dobhi ghat.

The “dobhi walla”, the cast of washermen, live and work here. They are such competent and efficient workers that, even today, they are able to resist the more modern washing machine.

Inside these open- air laundries the inhabitants wash and iron around 60,000 items of clothing a day, all without the use of machinery and with incredible speed.

For a few cents they spend the day in water scrubbing and wringing mountains of linen which arrive from textile factories and fashion houses.

The long days of work are interspersed with a few breaks where they gather in a makeshift kitchen to cook themselves a meal, chat and have a rest.

This is how the laundry suburbs, known as dhobi, came into being.

It’s a truly unique sight; piles of white linen form the centre piece of this metropolis, hoards of people washing around small fires where the white bath takes place.

And the atmosphere is jovial and abounding in smiles, in  keeping with the character of Indians in general.

Photos © Stefano D’Amadio. A selection “Mumbai dhobi ghats” was featured in Sojournposse’s East Meets West exhibition for Nissan Design Europe during London Design Festival 2009.

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