Five Minutes With

Five Minutes With… interviews on Story of Books

Sunday, April 1st, 2012 | Author: Sojournposse Editor

Story of Books has been publishing “5 Minutes With…” interviews since July 2011, a series of short conversations on the evolution of books, as a follow up to “Whatever is to become of books?” event at London Design Festival 2011. It is a collection of thoughts by those who are involved in books production and content creations; from academics, editors, technology innovators and authors, to designers, photographers and illustrators.

This month, Story of Books spoke to accomplished carpenter and web editor of Medicins Sans Frontierés, Pete Masters, about bookshelves. Follow other “5 Minutes With…” conversations here.

Pete Masters doing carpentry work for Medicins Sans Frontierés at Glastonbury Festival. Photo © Pete Masters

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Five Minutes With: Kevin Biderman, eBook Researcher, MSc Digital Anthropology, UCL

Wednesday, September 14th, 2011 | Author: Sojournposse Editor

By Salina Christmas

Five Minutes Interview at London Design Festival: “How we store and regulate information plays a huge role in what kind of society we wish to live in”. Kevin Biderman, lecturer and film maker, once told us that it took two centuries for the book to arrive in its final form, and it is likely that the ebook will take time to ‘settle’ on a definite format. Biderman is also researching on the e-book for his MSc in Digital Anthropology at University College London.

"I definitely think digitized text makes researching much easier, however I can’t see that the ebook will every fully replace the photo or artist book," Kevin Biderman on the future of books. Photo: © Kevin Biderman

Q. What do you think will become of books?

I don’t think its possible for anyone to say what will become of books. History has shown us that useful mediums rarely vanish from sight completely. One could make the comparison with vinyl and physical books and claim that soon printed books will become a niche item of a particular subculture. However the book really isn’t just one thing. There are photobooks, novels, school books, coffeetable books, medical books – all of these serve an extremely different purpose. We may read some books for entertainment and use some for work or learning. We may use some to read text and others to view images. The ebook market seems to separate these uses clearly. No one would claim the Kindle should be used for viewing a photobook and so far very few people really use the ipad to read novels.

I definitely think digitized text makes researching much easier, however I can’t see that the ebook will every fully replace the photo or artist book. I also think that there’s a whole realm of signed books and first editions that can’t be digitized and that certain people like showing off physical items in their homes.

Most importantly, though, I think how we store and regulate information plays a huge role in what kind of society we wish to live in. At a time when education is becoming highly commercialized and driven by economics we need to think about what information we wish to pass down for free and how. Some publishers are refusing to sell ebooks to libraries and others are only doing so with tight regulations. If libraries are the last place in which information can be freely obtained then what becomes of books and ebooks has massive political consequences.

Q. What will audience learn from the event?

The audience will get to hear a variety of creative producers kick around a number of questions, such as: How one can define a ‘book’ and how does this change with the immaterial nature of the ebook? How has storytelling changed with the introduction of digital formats? What new and exciting ways can stories be told? What opportunities are there for creative producers to communicate through new means? What controls are put on digital files which regulate their use? How far can you ‘own’ an ebook?

Q. What is your favourite book? By author/photographer, design or publisher?

When I was five I used to blabber on about nothing for hours on end (not much has changed there). But one day my dad decided to write what I was saying and have me illustrate it with my own drawings. I still have the book now and it’s a crazy, surrealist story about spaceships, giant toothbrushes and people marrying their toes. In and of itself I would not claim its any work of Shakespeare, but to me it symbolizes the creative play that my parents allowed me to have and a time when my mind wasn’t limited by the preconceived ideas of adulthood. When I leaf through it I see the spaghetti stains left from younger years and the strong and definite lines made by a child’s hand. I guess it’s not really about the story or the crafting but about the memories it brings up.

Q. What was the last book you read? Or published!

I was in Wales a week ago and the house I was staying in had a copy of Barack Obama’s book “Dreams of my Father”. I probably would never have read it otherwise as the hype of best sellers often puts me off. However, it really was an excellent musing on race, class and the American Dream. Too bad then these kind of issues can never be fully discussed in his present position.

Q. Finally: Kindle, PDF, HTML – or print?

Kindle for travel
PDF for work
HTML for wide spread communication
Print for when the solar flares knock out all the electricity

Visit www.kbiderman.com

On 17 September 2011, Sojournposse will be presenting a new event for The London Design Festival 2011, “Whatever is to become of books?” at the Gustave Tuck Lecture Theatre, Wilkins Building, UCL Main Campus, Gower Street, WC1E 6BT. Tubes: Euston. Euston Square. Warren Street. Tickets are available on Eventbrite. £1 of each ticket sale from this non-profit event will go towards a photobook app project which supports the Japan Red Cross tsunami drive. Please follow our updates on Twitter at @sojournposseF8, following the hashtags #LDF11 and #storyofbooks. We are also on Facebook and Google+.

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One Minute With: Homer, a nod to the Gutenberg press

Sunday, September 4th, 2011 | Author: Sojournposse Editor

By Salina Christmas

At the London Design Festival event, “Whatever is to become of books”, digital anthropologists Juliano Spyer and Cosimo Lupo will showcase “Homer”, a book scanner constructed of everyday objects – a digital camera, a recycled box and a piece of glass from Poundland shop – powered by an open source software used by Google Books and a laptop. The scanned material is readable on iPad and computer as searchable PDF and text.

This digital nod to the Gutenberg press will be shown at the event to be held at the Department of Anthropology, University College London (UCL), on 17 September 2011.

In this one-minute viral, the prototype is used to scan the King James I bible to mark the 400th anniversary of the completion of the authorised version in 1611. This is in line with the festival’s main showcase at St Paul’s Cathedral. The soundtrack is written by Brad Sucks, an “open source music” or “copyleft” initiative by Brad Turcotte.

The videography, shot using a combination of camcorders and Nikon D90, was done by Kevin Biderman, also of MSc Digital Anthropology. Biderman, a photographer, film maker and art lecturer, is researching on the e-books for the masters programme. The video was produced by Sojournposse.

Read the interviews on what’s to become of books on “Five Minutes With”.

For more information on MSc Digital Anthropology at University College London, go to www.ucl.ac.uk/anthro/digital-anthropology or contact Dr Lane Denicola.

Sojournposse’s event for The London Design Festival 2011, “Whatever is to become of books?” will be held at the Gustave Tuck Lecture Theatre, Wilkins Building, UCL Main Campus, Gower Street, WC1E 6BT. Tubes: Euston. Euston Square. Warren Street. Tickets are available on Eventbrite. £1 of each ticket sale from this non-profit event will go towards a photobook app project which supports the Japan Red Cross tsunami drive. Please follow our updates on Twitter at @sojournposseF8, following the hashtags #LDF11 and #storyofbooks. We are also on Facebook and Google+.

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Five Minutes With: Fiona Swarbrick, National Union of Journalists Books and Magazine

Sunday, September 4th, 2011 | Author: Sojournposse Editor

By Salina Christmas

Five Minutes Interview at London Design Festival: “The book industry had the foresight to proceed with a paid model rather than wander blindfold into the digital age as the newspaper industry did. Many media conglomerates are now shored up by the profits of their book publishing wing,” says Fiona Swarbrick, former editor at Taylor & Francis, currently the National Organiser in the Publishing Department of the National Union of Journalists.

A rather famous member of the NUJ, George Orwell, who wrote of 'Big Brother' in "Nineteen Eight-four". Room 101 is said to have been inspired by a conference room at the Senate House of the University of London, now one of the libraries University College London students use to conduct research. The NUJ membership is open to authors as well as journalists, photographers, broadcasters and designers. Data journalists, bloggers and web developers are the latest batch of media workers joining the union.

Q. What do you think will become of books?

There will always be an appetite for stories, but there is a risk that the complacency of publishers will create a situation that people see no benefit in paying for books.

Q. What will audience learn from the event?

That the survival of the book publishing industry is reliant on the ability of publishers to demonstrate that they add value to a story by excellent quality design, editing, commissioning, marketing and distribution. This quality is dependent on the workers the NUJ represents. Whatever the format, publishers need to give the same regard to training, reward and security if they are to get the right people and ensure they are doing the best possible job. For too long many publishing houses have taken for granted the love of books that, almost without exception, motivates every single employee in the industry. This does not however constitute a viable long term plan for the growth and maintenance of a stable and diverse sector.

Q. What is your favourite book? By author/photographer, design or publisher?

It’s the second hand Pan copy of “Mrs Dalloway” I bought when I studied it at university. Both because it’s my favourite novel and because that particular copy is such a joyful artefact!

Q. What was the last book you read? Or published!

“The Grapes of Wrath” by John Steinbeck, which my friend and I read aloud to each other as we travelled across America this summer. Reading aloud is a really great and social way to enjoy books.

Q. Finally: Kindle, PDF, HTML – or print?

For myself, print. I’ve yet to see a digital reader as beautiful as a shelf of Penguin paperbacks. But I think publishers should be investigating every avenue and investing in the future. I’m delighted by the expansion of digital publishing and very, very pleased that the industry had the foresight to proceed with a paid model rather than wander blindfold into the digital age as the newspaper industry did. As a result, many media conglomerates are now shored up by the profits of their book publishing wing. This may move the industry into a very influential position in the future.

Visit http://www.nujbook.org/

On 17 September 2011, Sojournposse will be presenting a new event for The London Design Festival 2011, “Whatever is to become of books?” at the Gustave Tuck Lecture Theatre, Wilkins Building, UCL Main Campus, Gower Street, WC1E 6BT. Tubes: Euston. Euston Square. Warren Street. Tickets are available on Eventbrite. £1 of each ticket sale from this non-profit event will go towards a photobook app project which supports the Japan Red Cross tsunami drive. Please follow our updates on Twitter at @sojournposseF8, following the hashtags #LDF11 and #storyofbooks. We are also on Facebook and Google+.

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Five Minutes With: Emilia Spitz and Linda Uruchurtu, The Ballet Bag

Sunday, September 4th, 2011 | Author: Sojournposse Editor

By Zarina Holmes & Salina Christmas

Five Minutes Interview at London Design Festival: “Ebooks and Kindle, or ebook readers in general, will become ‘the new paperback’.” Emilia Spitz and Linda Uruchurtu, co-founders, The Ballet Bag, observe that despite the digital crossover, digitisation also has encouraged the return to typography and illustrations in book design, and the emergence of niche book shops. Spitz and Uruchurtu write about dancers, companies, performances and about how web 2.0 has changed the way the audience look at and interact with the ballet art form. The Ballet Bag was appointed by The Royal Opera House to be their first official Twitterer for Alice’s Adventures in Wonderland.

Royal Ballet's Marianela Nuñez and Thiago Soares getting ready for The Ballet Bag feature. Directing the shoot are editors Emilia Spitz (pictured, second from left) and Linda Uruchurtu (third from left). Photo © Zarina Holmes

Q. What do you think will become of books?

Linda: I think print will remain and ebooks and Kindle (or ebook readers in general) will become “the new paperback”. People who value good design, who like their physical libraries and experiencing a book from cover to cover, will keep investing in print and collecting books they love. I have noticed that publishers are increasingly investing in new, revamped and improved hardback editions of the classics, sometimes with funky typography and illustrations. In digital, the trend is for different media crossover, creating new forms of storytelling. In a way, books are evolving and going back to basics at the same time.

Personally, I tend to purchase both Kindle and hardback versions. It is so convenient to pack your iPad for when you’re on the go, but when at home I would rather grab my heavy hardback.

Emilia: I agree with Linda. It all seems to be going in the same direction as CDs and vinyls. And it’s interesting to note that “indie” or niche bookshops such as Daunt and Persephone, and collector books are doing well again after the big threat of retail giants like Borders (RIP) and Waterstone’s.

Q. What will audience learn from the event?

Linda: Hopefully we can convince the audience that the internet has made it possible for everyone to become a storyteller and to have a voice…

Emilia: … and that books are things of beauty. Maybe I will bring some of my favorite specimens along!

Q. What is your favourite book? By author/photographer, design or publisher?

Linda: Tough one, but the “Lord of the Rings Trilogy” was probably the series of books that I wanted to re-read as soon as I had finished them. More recently, I was very pleased to find Jonathan Safran Foer’s “Tree of Codes”, which is a very interesting book created from bits and pieces of the author’s favourite novel, “The Street of Crocodiles” by Bruno Schulz. The composition and overall design completely challenge the traditional reading experience.

Emilia: Easy one for me: “Middlemarch” by George Elliot – great story, well structured, told in stylish prose. First of all, I am a great fan of the British classics and second, even though I may be more emotionally connected to a few other books, “Middlemarch” is an all-rounder: a truly perfect book.

Q. What was the last book you read? Or published!

Linda: Niall Ferguson’s “The Ascent of Money” and George R. R. Martin’s “A Dance with Dragons” from his “A Song of Ice and Fire” series.

Emilia: “Bossypants” by the hilarious Tina Fey.

Q. Finally: Kindle, PDF, HTML – or print?

Linda: All of them.

Emilia: one for each occasion!

Visit http://www.theballetbag.com/

On 17 September 2011, Sojournposse will be presenting a new event for The London Design Festival 2011, “Whatever is to become of books?” at University College London. Tickets are available on Eventbrite. £1 of each ticket sale from this non-profit event will go towards a photobook app project which supports the Japan Red Cross tsunami drive. Please follow our updates on Twitter at @sojournposseF8, following the hashtags #LDF11 and #storyofbooks. We are also on Facebook and Google+.

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